Carollyne Yardley


The Supper Club
(Rande Cook, Carollyne Yardley, and Noah Becker)


Carollyne is a visual artist and formerly a creative director, and her work is informed by both these disciplines. She received a Bachelor of Art from the University of Victoria, where she completed a Double Major in Psychology, and History in Art. She also studied at the Visual Arts Department (Faculty of Fine Art, University of Victoria), Victoria College of Art, and The Ryder Studio School in Santa Fe, New Mexico.

Squirrealism is a self-coined term used to describe her signature style of fine artwork employing squirrels, hybrid humans, and masks, which have separated themselves into distinct bodies such as “reflection,” “metamorphosis,” “identity,” yet what they hold in common is an ongoing investigation into the animation of the human existence.

Yardley’s detailed oil paintings began by reinterpreting the Renaissance fondness for painting squirrels as pets, and in still life imagery. Hybrid humans emerged next, as subjects in their own right, with portraits exploring both therianthropy (the ancient belief of shapeshifting, and animal ancestors), and theriocephaly (animal-headed humanoid forms such as the ancient Egyptian gods Ra, Sobek, and Anubis).

Shapeshifting, humanoid forms, and masks were further examined in her work when artist Chief Rande Cook (Kwakwaka’wakw), invited Carollyne to collaborate on Ravenous, a two person exhibition which used personal identities, humour and storytelling to engage and remind viewers that art is alive, influenced, and constantly changing. Combining the indigenous story of trickster Raven, a shape-changer who inadvertently releases the light to the world, and the pop culture Archie McPhee squirrel mask, acting as a trick for the mind, Ravenous opened the doors of traditional cultural iconography and created a spark for active engagement and revelations about the interconnectedness of world culture. Their second collaboration, Shapeshifting (April 2017), will echo the history of Northwest Coast portrait masks, explore acts of reconciliation of native and non-native engagement, and present artistic innovation through cross-cultural exchange.

Carollyne Yardley has garnered all levels of press in Canada, featured in The Globe and Mail, The National Post, CTV News, CBC Radio, online weblogs, and the covers of several books and magazines. She was also successful in maintaining her registered trademark Carollyne® after being subjected to an expungement proceeding by a large U.S. toy manufacturer .

She is represented by Winchester Galleries (Victoria, BC), and Fazakas Gallery (Vancouver, BC).



  • 1990
    – University of Victoria, Visual Arts Department
  • 1997
    – University of Victoria, Bachelor of Arts, (concurrent Double Major Psychology, History in Art)
  • 2009
    – Ryder Studio School, New Mexico


  • 2018
    – Fazakas Gallery Booth, Papier | Art Fair, Montreal QC
  • 2017
    – Fazakas Gallery Booth, Art Toronto | Toronto International Art Fair, Toronto ON
  • 2016
    – Fazakas Gallery Booth, Art Toronto | Toronto International Art Fair, Toronto ON


  • 2017
    – Shapeshifting: Rande Cook (K’alapa) and Carollyne Yardley, Fazakas Gallery, Vancouver BC
  • 2014
    – Ravenous: Rande Cook (K’alapa) and Carollyne Yardley, Alcheringa Gallery, Victoria BC


  • 2013
    – Romancing the Squirrel, Apartment Gallery, Victoria BC


  • 2017
    — FIVE (Vicky Christou, Jeremy Mangan, Neil McLelland, Sean Mills, Carollyne Yardley), Winchester Galleries, Victoria, BC, Canada.
    – SHEILA: Women, Art, and Production, Fazakas Gallery, Vancouver, BC.
  • 2016
    – Divergent Convergence, Fazakas Gallery, Vancouver BC
    – Imaginary Friends, curated by Ted Hiebert, Open Space Arts Society, Victoria BC
  • 2015
    – Selected Works, Winchester Galleries, Victoria BC
    – SHE: Diversity in Feminism, Fazakas Gallery, Vancouver BC
  • 2014
    – Co-Mix Art, curated by Efren Quiroz, Martin Bachelor Gallery, Victoria BC
    – Pride in Art: The Queer Truth and Nothing But, Fifty-Fifty Arts Collective, Victoria BC
  • 2013
    – Difference and Repetition, Slide Room Gallery, Victoria BC
    – #Strangelings: Paintings by Pixel Wizards, Art Gallery of Greater Victoria, Victoria BC
    – Colours of Summer, Madrona Gallery, Victoria BC
    – Curiouser: Contemporary Responses to Alice in Wonderland, curated by Laurie Luck, Fifty-Fifty Arts Collective, Victoria BC
  • 2012
    – Selected Works, Massey Gallery, Victoria BC
    – Grand Opening with Lu Jun, Apartment Gallery, Victoria BC
    – Pride Art Exhibition, Madrona Gallery, Victoria BC
    – Art Rainbow, INDEXG, Toronto ON
    – Boudoir, Emerging Art Gallery, Victoria BC
  • 2011
    – Never Dine Alone, curated by Carollyne Yardley, The Sculpture Studio, Victoria BC


  • 2016

Blazenhoff, Rusty, “Rusty’s Electric Dreams.” Inbox Zine. April’s Artist in Residence.

White, Laurie. ISSUE Dec/Jan., pgs. 14-16. “Seriously Silly, Horse Heads and Flower Beards in the Work of Carollyne Yardley.” Analogue Magazine.

Wright, Andy. Jan 07, 2016 “From Portrait Painters to College Applicants, Squirrel Obsessives Through the Ages.” Atlas Obscura.

  • 2015

Lundy, Susan. Issue Sept 2015, “Secrets and Lives: Carollyne Yardley, Artist.” Boulevard Magazine.

Thomson, John. Issue June 11, 2015, “Canadian Artist Goes Squirrely.” DZine Trip Design Magazine.

Becker, Noah. Issue May 2015, “Guerrilla Girls Inspired Exhibition Opens in Vancouver.” Whitehot Magazine.

Blazenhoff, Rusty. May 19, 2015, “Banksy Squirrel Character with Mask by Carollyne Yardley.” Blazenfluff.

Dobby, Emily. Issue May/June 2015, “The Artful Home. Carollyne Yardley: Contemporary Pop “Squirrealism” At Home Magazine.

  • 2014

Amos, Robert. 29 June. 2014, D7, “First Nations Art, meet squirrels.” Times Colonist.

Cino, Kate. June 16, 2014, “Alcheringa Gallery presents Ravenous with Rande Cook and Carollyne Yardley.” Editorial. Art Openings.

Willey, Philip. June 28, 2014, “Ravenous: Carollyne Yardley and Rande Cook by Philip Willey.” Exhibit-V.

Madden, Aaren. June 2014. VOL. 26 NO.9, pgs. 32-33,“Ravenous, Alcheringa Gallery.” Editorial. Focus Magazine.

Simcoe, Luke. April 29, 2014, “B.C. artist battles Mattel’s American Girl over trademark.” Editorial. Metro News.

Fisher, Gavin. April 29, 2013, “B.C artist facing down Mattel in expensive copyright fight.” Editorial. Globe and Mail.

McCulloch, Sandra. April 30, 2014. Front page, A1. “Artist goes after U.S. giant Mattel over trademark to her own name.” Editorial. Times Colonist.

Hopper, Tristin. Front Page, Pg. A1. April 28, 2014. ”Toymaker Mattel fighting Canadian ‘Squirrealism’ painter Carollyne Yardley over trademark to her own name.” Editorial. National Post.

Lus, Steven. April 28, 2014. “It’s Caroline vs. Carollyne in a fight at the Canadian Intellectual Property Office.” Editorial. CBC News, Vancouver, BC.

Editorial. April 28, 2014. “Canadian Art Fights Mattel’s American Girl Over Trademark.” Huffington Post.

  • 2013

Schlauch, Matthew, April 28, 2014. “#Strangelings: Paintings by Pixel Wizards” Snapd Magazine.

Smart, Amy. Oct.17, 2013: C6. “Creative process shines, digitally and otherwise.” Editorial. Times Colonist.

Coach House Books, April 17, 2013. Cover, Fall 2013 Catalogue, Toronto, Ontario.

Wahl, David. 18 Mar 2013. “Our recent post about Carollyne’s Saint Squirrel and Pope Pinenuts” Archie McPhee’s Endless Geyser of AWESOME!

Lindsay, Teresa. Feb 21. 2013. “Revealing an Incredible Journey through Pop Surrealism.” Vic42 Magazine.

Beneteau, Nicole. 18 Feb. 18, 2013. “Artists Take a Crack at Carroll Classic.” Nexus Newspaper RSS.

Jones, Kate. Feb 12, 2013. “Romancing the Squirrel in the Studio.” Pennello Lane, Creative Canadian Women.

Focus Magazine, Cover, vol. 25., no. 5, February 2013.

Madden, Aaren. Feb. 01, 2013: pgs. 16-17. “The Unbearable Lightness of Squirrels.” Editorial. Focus Magazine.

Threlfall, John. Yam Magazine Issue Jan/Feb 2013: pgs. 16-17.  “Culture Goes Pop.” Editorial. Yam Magazine.

  • 2012

Willey, Philip. “Days in the Life.” Illus. by Carollyne Yardley pg. 13. Victoria, BC. Ahndai Books.

Wahl, David. Dec. 07, 2012. “Hey Look, It’s a Gingerbread Squirrel!” Archie McPhee’s Endless Geyser of AWESOME!

Focus Magazine, Cover, vol. 25., no. 3, December 2012.

Monday Magazine, Cover 3829, July 2012.

Green, MaryEllen. pg, 8. July 19, 2012. “Artist Is Nuts for Squirrels.” Monday Magazine.

Wahl, David. June 27 2012. “As Many of You Probably Know by Now, We Have A Soft Spot for Squirrels | Archie McPhee’s Endless Geyser of AWESOME!”

Willey, Philip. May 12, 2012. “Blair, Yardley, Schultz and the Pop Sensibility by Philip Willey.” Exhibit-V.

Patience, Kaitlyn. Apr. 13, 2012. “Artist Spotlight on Carollyne Yardley.” Pamplemousse!

Wolters, Shanice. Apr. 04, 2012 “The Girl with the Squirrels.”

Bart Koubaa (Author), Jan 01, 2012. Cover of “De Brooklyn Club”, Querido Publishing.

  • 2011

Wood, Christine. Dec. 07, 2011 “The Business of Art.” Kendall Wood.

Robert, Amos. Aug. 20, 2011: D5. “Treasures of Oak Bay Galleries.” Times Colonist.

DHaem, Jim. Sept.11, 2011. “Geisha Girl Squirrel (and QR Code).” QR Code Artist.