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Masks

Rande Cook, Forest Spirit Mask I, 2022
Rande Cook, Forest Spirit Mask I, 2022
Rande Cook, Forest Spirit Mask I, 2022
Rande Cook, Forest Spirit Mask I, 2022

Rande Cook Kwakwaka'wakw, b. 1977

Forest Spirit Mask I, 2022
Enviro-epoxy resin, epoxy pigment, 88 Hz frequency sound vibrations from living lichens and mushrooms
8 x 7 x 3 1/2 inches
20.3 x 17.8 x 8.9 cm
Price on request
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%3Cdiv%20class%3D%22artist%22%3ERande%20Cook%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EForest%20Spirit%20Mask%20I%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EEnviro-epoxy%20resin%2C%20epoxy%20pigment%2C%2088%20Hz%20frequency%20sound%20vibrations%20from%20living%20lichens%20and%20mushrooms%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E8%20x%207%20x%203%201/2%20inches%3Cbr/%3E%0A20.3%20x%2017.8%20x%208.9%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Rande Cook, Forest Spirit Mask I, 2022
  • (View a larger image of thumbnail 2 ) Rande Cook, Forest Spirit Mask I, 2022
  • (View a larger image of thumbnail 3 ) Rande Cook, Forest Spirit Mask I, 2022
  • (View a larger image of thumbnail 4 ) Rande Cook, Forest Spirit Mask I, 2022
Rande Cook’s practice currently centers a collective response to the land, which holds the teaching of his forefathers. Contained within this work is the acknowledgement of material extraction and cultural...
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Rande Cook’s practice currently centers a collective response to the land, which holds the teaching of his forefathers. Contained within this work is the acknowledgement of material extraction and cultural erasure through its activation of traditional forms in new material contexts. The mask depicts the figure of the Speaker, who were usually chiefs carrying the responsibility of upholding land value by mediating communication between the land and its people. While consciously omitting the details of the face, Cook’s interpretation calls upon a sense of urgency towards the loss of old growth. To this end, the mask is also cast in resin to highlight the shift of material use in cultural practice as a result of such a loss.

Through a material as manufactured as resin, Cook still calls upon the land by integrating natural dyes into the mask derived from mycelium, the fungal network of communication connecting trees to each other through their roots.

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659 E Hastings St, Vancouver, BC, V6A 1R2
info@fazakasgallery.com | 604-876-2729

xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Unceded Territories

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