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Independent Art Fair 2020: Spring Studios, New York, NY

Past exhibition
5 - 8 March 2020
  • Overview
  • Works
  • Installation Views
  • Press
Overview
Beau Dick Pookmis, 1994 Red cedar, acrylic, horsehair 18 x 14 x 6 1/2 inches 45.7 x 35.6 x 16.5 cm
Beau Dick
Pookmis, 1994
Red cedar, acrylic, horsehair
18 x 14 x 6 1/2 inches
45.7 x 35.6 x 16.5 cm
Independent Art Fair 2020

 

March 5 - 8, 2020

Spring Studios, 50 Varick Street, New York NY 10013

 

Fazakas Gallery is pleased to announce our participation in the Independent Art Fair featuring works by Beau Dick and Maureen Gruben. 

 

This grouping of works by Kwakwaka'wakw artist Beau Dick and Inuvialuit artist Maureen Gruben is, in a sense, a bi-coastal meeting. Beau was from the village of Alert Bay on the northern coast of Vancouver Island; Maureen is from the Hamlet of Tuktoyaktuk on the northern arctic coast of Northwest Territories. This is an interface between two practices that are deeply rooted in the specificities of place and culture, but also, notably, in which the 'shock of the new' becomes an a-temporal phenomenon. The works presented here are engaged in continuous emergence. While cultural forms exist as materials, they also persist beyond materials; they can shift, withdraw, and (re)materialize at infinite points in place and time. Kwakwaka'wakw ceremonial burning of Atlakim masks, which the community will endlessly recreate, is a formalized expression of this perpetual emergence. As Candice Hopkins has described with reference to this, "Ceremony ruptures the division between the historical and contemporary." This temporal division is also ruptured by the assertiveness and vision with which Beau and Maureen bring traditional forms into their contemporary practices and decisively reimagine them-these works simultaneously hold within them striking innovation and intimate familiarity.

 

Words by Kyra Kordoski.

Works
  • Maureen Gruben, Delta Trim, 2018
    Maureen Gruben, Delta Trim, 2018
  • Maureen Gruben, Fresh Artifacts, 2017
    Maureen Gruben, Fresh Artifacts, 2017
  • Maureen Gruben, Consumed, 2017
    Maureen Gruben, Consumed, 2017 Sold
  • Beau Dick, Atlakim I, c. 1990 Sold
    Beau Dick, Atlakim I, c. 1990
    Sold
  • Beau Dick, Atlakim II, c. 1990 Sold
    Beau Dick, Atlakim II, c. 1990
    Sold
  • Beau Dick, Atlakim III, c. 1990 Sold
    Beau Dick, Atlakim III, c. 1990
    Sold
  • Beau Dick, Pookmis, 1994
    Beau Dick, Pookmis, 1994 Sold
  • Beau Dick, Wind Mask, 2016
    Beau Dick, Wind Mask, 2016 Sold
  • Beau Dick, Wind, 1979
    Beau Dick, Wind, 1979 Sold
  • Cole Speck, Intruder, 2020
    Cole Speck, Intruder, 2020 Sold
Installation Views
  • Independent Install 12 768X1024
  • Independent Install 1 768X1024
  • Independent Install 17 768X1024
  • Independent Install 15 768X1024
  • Independent Install 27 1024X768
  • Independent Install 3 768X1024
Press
  • Beluga Whale Intestines, Bodybuilders and Outsider Offerings at Independent Art Fair

    Helen Holmes, Observer, March 6, 2020
  • ‘It’s Obviously a Really Exciting Thing’: How Native American Art Has Become a Sleeper Sensation in Museums and the Art

    The Independent art fair is taking its cue this year from "maverick" dealers who spotlight marginalized communities.
    Eileen Kinsella, Artnet, March 3, 2020

Related artists

  • Beau Dick

    Beau Dick

  • Maureen Gruben

    Maureen Gruben

Back to exhibitions

659 E Hastings St, Vancouver, BC, V6A 1R2
info@fazakasgallery.com | 604-876-2729

xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Unceded Territories

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