Art Toronto 2025: Metro Toronto Convention Centre, Toronto, ON
Catherine Blackburn, Zoe Ann Cardinal Cire, Jane Ash Poitras, Audie Murray
Booth C22
This booth brings together four women artists whose practices span generations and geographies, united by their deep engagement with Indigenous knowledge systems, intergenerational memory, and cultural continuity.
From the groundbreaking work of Jane Ash Poitras to the dynamic practices of Catherine Blackburn, Audie Murray, and Zoe Ann Cardinal Cire, this intergenerational presentation honors lineage as both legacy and living practice. Each artist draws from ancestral teachings, kinship traditions, and material histories to speak across time; bridging the past and future through contemporary forms.
Whether through beadwork, textiles, print, painting, or performance, their works create space for reflection, resurgence, and transformation. Together, they offer a powerful meditation on how identity, resistance, and resurgence are carried forward through creative expression.
Jane Ash Poitras (b. 1951, Fort Chipewyan, Alberta) is a highly influential Cree artist whose mixed-media practice integrates archival imagery, text, and symbolism to explore Indigenous identity, colonial history, and spiritual knowledge. Her groundbreaking work has shaped generations of Indigenous artists and remains a vital force in contemporary art and political discourse.
Catherine Blackburn (b. Patuanak, Saskatchewan) is of Dene and European ancestry and a member of the English River First Nation. A multidisciplinary artist and jeweller, Blackburn explores themes of Indigenous sovereignty, decolonization, and representation-often grounded in personal and familial narratives. Her work spans beadwork, sculpture, and wearable art.
Zoe Ann Cardinal Cire (b. 1998, Ponoka, Alberta) is a visual artist from Treaty 6 territory in central Alberta. Drawing from her paternal Métis and maternal Beaver Lake Cree Nation lineages, her practice moves fluidly between painting, beadwork, and textiles. Her work explores land, memory, and material knowledge through deeply personal and place-based expression.
Audie Murray (b. 1993, Saskatoon, Saskatchewan) is a multidisciplinary artist based in Regina, Saskatchewan. Her work engages with contemporary culture, embodiment, and ancestral teachings through processes of making and visiting. Using materials and methods tied to cultural memory, Murray creates intimate works that reconnect with kinship, land, and spiritual inheritance.
-
Four-Point Ply -
Kitchisk -
We Root With the Stars Sold -
Grid -
Inner Structure -
Buds -
Bush Girl and Spiderman -
Toe Tapping -
Weak joints grow fierce to gallop freely, trot thoughtfully, and stomp (when needed) -
Good Looking and Cooking Sold -
Washing in the Lake Reserved -
Hankburgers -
Hankburgers -
Hot Dog (No Flies) -
Double Coat -
Half of a Trapline Sold -
Skin and Bone Sold -
Territories and Time -
Untitled Sold -
Untitled Sold
-
Art Toronto reflects Canadian art scene's emphasis on Indigenous representation
Constanza Ontiveros Valdés, The Art Newspaper, October 24, 2025 -
Arte Sur debuts at Art Toronto 2025 with Latin-American artists and galleries
Celebrating art’s diverse DNA, the program Generations highlights how creativity cascades across epochs.Ontario Arts & Culture report, The Globe and Mail, October 10, 2025
