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Beau Dick: Early Works


March 29 – May 11, 2019
Tanúyap Project Space, Fazakas Gallery, 688 E Hastings St., Vancouver, BC

 


 

Beau Dick, acclaimed as one of the Northwest Coast’s most versatile and talented carvers, apprenticed with many artists including his father, Benjamin Dick, and master carvers Robert Davidson, Tony Hunt, and Bill Reid, among others. Early Works brings together pieces by Beau, made between 1978 and 1980 when he was just 23, and offers a unique glimpse into his artistic development. The exhibition is both a testament to Beau’s legacy and an exciting look at his creative output from an earlier decade.

 

 


Chief Beau Dick, Walas Gwa’yam (1955–2017), was a Kwakwaka’wakw (Musgamakw Dzawada’enuxw First Nation) artist and activist. He was born in the community of Alert Bay, B.C., and lived in Kingcome Inlet, Vancouver, and Victoria before returning to Alert Bay to live and work. He began carving at an early age, studying under his father, Benjamin Dick, his grandfather, James Dick, and other renowned artists such as Henry Hunt and Doug Cranmer. He also worked alongside master carvers Robert Davidson, Tony Hunt, and Bill Reid.

Dick created several important public works, including a transformation mask for the Canadian Pavilion at Expo 86 in Vancouver and the Ga’akstalas Totem Pole for Stanley Park, carved with Wayne Alfred and raised in 1991. His work has been shown in exhibitions around the world, including at the Royal British Columbia Museum, Victoria, B.C. (1976); Canada House, London, United Kingdom (1998); the 17th Biennale of Sydney, Australia (2010); and Documenta 14 in Athens, Greece, and Kassel, Germany (2017). He was the recipient of the 2012 VIVA Award and was artist-in-residence at the University of British Columbia’s Department of Art History, Visual Art and Theory from 2013 to 2017.

See more works by Beau Dick here.